If there’s one horror trope I always make a beeline for, it’s got to be the “Haunted House” one. What initially caught my eye with Beverley’s book was just how frightening the cover art is! I mean, look at it! Dead eyes staring out at the reader, with a sinister knowing….*shivers*.
Good covers really are important, I do judge a book by them, more so within the horror genre for some reason, I just can’t help myself! The House of Little Bones doesn’t have a good cover, it has a GREAT cover. Kudos to the artist/designers for sure!
“David Lansdown, esteemed British horror writer and supernatural sceptic, is used to basking in the glow of the press…
Until a hastily snapped photo hits the headlines and makes his affair with his publisher’s son public. When David finds himself at Bone Hollow, a house with a glass wall overlooking a wild and desolate moor, his only concern is writing his next best seller to bury his misdeeds in the past.
But something stirs beneath the earth…”
Haunted house stories are out there in their tens of thousands, hundreds of thousands, millions! I don’t know! Anyway, there is a load of them! So what makes The House of Little Bones stand out?
Well, from the outset I could tell that Beverley created David, her main character, with careful thought and consideration. He has authenticity, his mannerisms, thought processes, his back story. As other characters were introduced and the story unfolded, I realised that every character in the story felt of high importance in their own right.
I’ve noticed over the years that I enjoy reading about characters who are authors, and how they’re attempting to write their book within the story I’m reading.
The House of Little Bones, became a tempting story very early on, the feelings of mystery and unexplained goings-on were pretty full-on in terms of spook-factor. There’s more to everyone in this story than initially meets the eye, this, in itself hooked me in very quickly.
After 20/30 pages, I felt a bit on edge and had to put the light on. (Only because it was getting dark, not at all because my mind was playing tricks on me, you understand!)
The House of Little Bones is the most perfect story for this time of year. It’s well written, not overly complicated and very creepy. I particularly enjoyed the way Beverley connected the historical aspects of the story in small bursts throughout and then used a chapter at the end to tie everything together.
The relationships between the characters were convincing, the setting on the moor oozed bleak desolation and chilling atmosphere. The build up and the finale had me holding my breath, I was appreciative of the historical round-up to help settle my heart!
The House of Little Bones is designed to pull on the heartstrings, engross and enchant. It’s a beautifully measured Halloween recipe that delivered everything I love about horror fiction.
I look forward to reading more from Beverley Lee, I’ll be recommending her writing based on reading just this one book.
Thank you Beverley for sending me an e-arc, it was a pleasure to read.
Beverley Lee is a writer of dark fiction (dark fantasy/horror/supernatural suspense). Her first book The Making of Gabriel Davenport picked up three 5 star seals when recently reviewed by Readers’ Favorite. It also won the June Go Indie Now! Excellence in Literature Award for her poetic style, outstanding plot, and complex characters.